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read moreReturning to Western Australia for the first time in eight years, Triple J's One Night Stand - an all-ages, drug-and-alcohol free festival staged in Busselton at Barnard Park on 24th May, collaborated with The Push - Youth Music Organisation to provide training for eight local young people as the All-Ages Events Team for the Busselton event.
The industry-based training, co-ordinated by The Push in partnership with Triple J, provides a hands-on experience in what it takes to stage a large music event including stage management, technical and sound production, promotion and marketing, video/photography, artist liaison and booking.
The events team training co-ordinated by The Push is funded through a Creative Industries grant. The Push is a national not-for-profit, charitable organisation that aims to give every young person the opportunity to participate and thrive in Australian music.
Heading up the One Night Stand 2025 showcase line-up were Fremantle indie-rockers Spacey Jane, fresh off the back of releasing their third album.
EDM producer LUUDE joined them to keep the dance floor moving, along with singer-songwriter Ruby Fields and award-winning hip hop supergroup 3%.
Local Triple J Unearthed competition winner Fool Nelson also featured at the all-ages music festival.
All ticket proceeds from Triple J's One Night Stand will be donated to Support Act, The Push, Undalup Association and Karri Karrak Aboriginal Corporation.
WA Creative Industries Minister Simone McGurk noted "Triple J's One Night Stand event is a popular event that is held nationwide in different locations throughout Australia.
"The partnership between The Push and Triple J has created a fantastic opportunity for the eight young people selected as the All-Ages Events Team.
"Learning from The Push and Triple J teams, they will be given the opportunity to support the delivery of the event on the day, which is practical experience that will help them recognise music as a viable career pathway.
"Providing crucial firsthand work experience will support those involved to build sustainable careers across the contemporary music sector.
"Enabling young people to experience live music through a well-managed event like this is important, especially for those interested careers in the music industry."
More information on The Push music organisation
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28th April 2025 - Creative Australia report highlights how deeply Australians value live music
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20th March 2025 - Grassroots live music industry stakeholders combine to launch Australian Music Venue Foundation
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7th March 2025 - Parliamentary live music inquiry delivers ‘practical and achievable’ recommendations to support the industry
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16th February 2025 - Victorian Government continues to support local live music festivals
23rd January 2025 - Port Adelaide’s New Found Sound live music event attracts over 5,500 attendees
10th January 2025 - Australian Live Music Business Council looks for industry input on Pre-Budget submission
1st January 2025 - Australian Live Music Business Council advocates for live music in regional and remote areas
12th December 2024 - APRA AMCOS welcomes latest live music reforms in NSW, South Australia and ACT
28th November 2024 - Winarch Group releases second annual Australian Live Music Census
22nd November 2024 - TEG executive tells live music inquiry that artists and venues the reason for rising ticket prices
7th November 2024 - Music Victoria and Support Act among contributors to Live Music Parliamentary Inquiry
31st October 2024 - Live Music Fund to support Gold Coast venues, promoters and musicians
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15th October 2024 - Law changes proposed to reboot NSW nightlife, live music and entertainment precincts
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11th October 2024 - Live music inquiry focusses on risk and insurance
9th October 2024 - Brisbane live music venue The Zoo saved and to reopen under new name
15th September 2024 - Victorian Government announces new funding for live music industry
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13th August 2024 - City of Fremantle suggests government subsidy for live music venues
6th August 2024 - Live Performance Australia sets out priorities for future survival of live music industry
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